|
Bert Prisoner Nickel or Unnamed Talent?
{ from BoTales2007#2 } −by Art Cinco de Arturo DelFavero, RM-552
|
|
I
f you look at the bottom of page 54, in Del’s first book, you will see a nickel that he describes as a Bert prisoner nickel. In the past few months, two more specimens have surfaced: one on E-bay, the other purchased by myself in a private sale.

Left carving from Art DelFavero’s collection and right carving from Carol Lee Allen’s collection.
[The middle carving is from Owen Covert’s collection and was inserted just before press time. Note the very strong similarity to the one on the left – Ed]
U
pon examining my nickel, I noticed that what looked like a carved beard was in fact a finely punched beard created by use of a sharp crescent shaped punch, perhaps a larger beading tool with half of its head ground off. The artist would tap, then rotate the tool, then tap again to create a squiggle effect (this technique adopted by John Dorusa years later). Row after row was done, ultimately producing the illusion of the classic Bert or Bo hair strokes. All three nickels display a number of like characteristics, the above mentioned and similar collars, ears, and various amendments to the profile. The one big similarity, other than the formation of the hair and beard, is the field. Bert, or whoever, chose to fill in the field with literally hundreds of dots, created with use of a beading tool, or something similar. All display quite less graver work than we would normally see on the usual Bert rendering.
T
he two recently purchased nickels are not documented anywhere that I can find, of course, making them all the rarer – if they were produced by Bert while in prison or not. If anyone has seen or documented these previously, or has a similar specimen, please contact me at 248-939- 2368, or at delfaveros@twmi.rr.com.
|
|
|
Spiffy: A New Known Unknown Artist
{ from BoTales2007#2 } −by Robert Owen SepticTankHank Covert, RM-686
|
|
|
|
|